1 00:00:00,000 --> 00:00:03,000 on this episode of Ghost Hunters. 2 00:00:03,000 --> 00:00:04,000 Hello? 3 00:00:04,000 --> 00:00:08,000 It's last call for Taps and Petty Riley's Irish pub. 4 00:00:08,000 --> 00:00:09,000 What is that? 5 00:00:09,000 --> 00:00:10,000 Did you feel that? 6 00:00:10,000 --> 00:00:11,000 You can feel it. 7 00:00:11,000 --> 00:00:12,000 You can feel the vibration. 8 00:00:12,000 --> 00:00:15,000 A knock at the back door sends Chris and Amy reeling. 9 00:00:15,000 --> 00:00:16,000 What was that? 10 00:00:16,000 --> 00:00:18,000 Somebody tried to open the door. 11 00:00:18,000 --> 00:00:19,000 Wow. 12 00:00:19,000 --> 00:00:23,000 Can Taps draw out the ghosts at this St. Petty's Day hotspot? 13 00:00:23,000 --> 00:00:25,000 We're big fans of Ireland. 14 00:00:25,000 --> 00:00:26,000 Wow. 15 00:00:26,000 --> 00:00:27,000 That's crazy. 16 00:00:27,000 --> 00:00:31,000 Then the team tries to discover what's plaguing the former home 17 00:00:31,000 --> 00:00:33,000 of author Harriet Beecher Stowe. 18 00:00:33,000 --> 00:00:34,000 What was that? 19 00:00:34,000 --> 00:00:35,000 I heard that. 20 00:00:35,000 --> 00:00:38,000 It sounded like one footstep. 21 00:00:38,000 --> 00:00:44,000 Will Grant and Steve come face to face with history's most persuasive abolitionist? 22 00:00:44,000 --> 00:00:46,000 Please say your name very loudly. 23 00:00:46,000 --> 00:00:47,000 Point four. 24 00:00:47,000 --> 00:00:48,000 Okay. 25 00:00:48,000 --> 00:00:49,000 Point five. 26 00:00:49,000 --> 00:00:50,000 Look at the K2. 27 00:00:50,000 --> 00:00:51,000 Look at the K2. 28 00:00:51,000 --> 00:00:52,000 Look at that. 29 00:00:57,000 --> 00:01:02,000 New York City. 30 00:01:02,000 --> 00:01:03,000 Here we go. 31 00:01:03,000 --> 00:01:04,000 Petty Riley's. 32 00:01:04,000 --> 00:01:05,000 First off, it's an Irish pub. 33 00:01:05,000 --> 00:01:06,000 That sounds really interesting. 34 00:01:06,000 --> 00:01:08,000 Let's ask Chris exactly what's going on. 35 00:01:08,000 --> 00:01:09,000 Hey, Chris. 36 00:01:09,000 --> 00:01:11,000 What can you tell us about Petty Riley's? 37 00:01:11,000 --> 00:01:13,000 Well, guys, they have a lot of claims. 38 00:01:13,000 --> 00:01:14,000 Some of them are pretty strange. 39 00:01:14,000 --> 00:01:19,000 One is that the fifth floor, somebody saw this face in his window staring back at him. 40 00:01:19,000 --> 00:01:21,000 But they also have activity in the bar. 41 00:01:21,000 --> 00:01:23,000 They've had glasses moving around. 42 00:01:23,000 --> 00:01:25,000 They'll hear voices in there when they're in the other room. 43 00:01:25,000 --> 00:01:27,000 What's going to be interesting, man? 44 00:01:27,000 --> 00:01:28,000 Looking forward to it. 45 00:01:28,000 --> 00:01:30,000 It should be good. 46 00:01:36,000 --> 00:01:37,000 There it is. 47 00:01:37,000 --> 00:01:38,000 There it is. 48 00:01:38,000 --> 00:01:40,000 This is going to be awesome, man. 49 00:01:40,000 --> 00:01:44,000 Did everyone get to see the audience when they were on stage? 50 00:01:44,000 --> 00:01:48,000 What time is it? 51 00:01:48,000 --> 00:01:50,000 Is there a qualified seats in the car? 52 00:01:50,000 --> 00:01:53,000 Can we finish it, guys? 53 00:01:53,000 --> 00:01:54,000 He's got a name. 54 00:01:54,000 --> 00:01:55,000 Thanks, guys. 55 00:01:55,000 --> 00:01:58,000 It's Steve Douglass. 56 00:01:58,000 --> 00:01:59,000 Hi, man. 57 00:01:59,000 --> 00:02:01,000 Hi, Steve Douglass. 58 00:02:01,000 --> 00:02:04,000 Under the door. 59 00:02:04,000 --> 00:02:05,000 There's plenty of cameras. 60 00:02:05,000 --> 00:02:06,000 A bunch of cameras. 61 00:02:06,000 --> 00:02:08,000 I'm gonna go on camera. 62 00:02:08,000 --> 00:02:09,000 A few moments before you get at his courts. 63 00:02:09,000 --> 00:02:14,000 Well, uh, Paddy Riley's, we've been here in this location for this past 25 years. 64 00:02:14,000 --> 00:02:15,000 Yeah. 65 00:02:15,000 --> 00:02:19,000 And obviously the bar is named after Paddy Riley, who happens to be Ireland's number one ballad singer. 66 00:02:19,000 --> 00:02:23,000 First of all, we're the first and only all draft Guinness bar in the world. 67 00:02:23,000 --> 00:02:26,000 Paddy Riley's is just Guinness all the way. 68 00:02:26,000 --> 00:02:31,000 So also we get a lot of famous people here, the Lex and Naomi Campbell, Brad Pitt, 69 00:02:31,000 --> 00:02:34,000 Kiefer Sunderland, Gregory Peck, Matt Dillon. 70 00:02:34,000 --> 00:02:35,000 Oh my God. 71 00:02:35,000 --> 00:02:36,000 A lot of celebrities over the years. 72 00:02:36,000 --> 00:02:40,000 Well, we hear you also get a lot of paranormal activity going on here though. 73 00:02:40,000 --> 00:02:44,000 Over the past couple of years, yes, some strange happenings has occurred here. 74 00:02:44,000 --> 00:02:47,000 Probably one of the first ones there, there's a water pump down there at the end of the bar. 75 00:02:47,000 --> 00:02:49,000 And strange things happen in that pump. 76 00:02:49,000 --> 00:02:51,000 We'd about tender working here one day. 77 00:02:51,000 --> 00:02:54,000 She was out there in the back room, cleaning or doing whatever she was doing. 78 00:02:54,000 --> 00:02:57,000 And the next thing she heard, this bottle and glass break and she ran out. 79 00:02:57,000 --> 00:03:00,000 She thought some was there. Nobody was there. 80 00:03:00,000 --> 00:03:01,000 What happened? 81 00:03:01,000 --> 00:03:05,000 The only explanation we can give that the handle started to remove and the vibration. 82 00:03:05,000 --> 00:03:08,000 Not the bottle and glass of the counter and broke. 83 00:03:08,000 --> 00:03:09,000 Anything else? 84 00:03:09,000 --> 00:03:13,000 Yeah, there was another story here. There was another bartender here late at night. 85 00:03:13,000 --> 00:03:15,000 And the bartender was here on their own. 86 00:03:15,000 --> 00:03:18,000 And they heard these strange noises, vices, they thought. 87 00:03:18,000 --> 00:03:20,000 And they came out and there was no one here. 88 00:03:20,000 --> 00:03:22,000 But it was definitely the heard the vices. 89 00:03:22,000 --> 00:03:23,000 So what do you know? 90 00:03:23,000 --> 00:03:25,000 We can take you down to the basement. 91 00:03:25,000 --> 00:03:27,000 So what goes on down here? 92 00:03:27,000 --> 00:03:30,000 It's always got a kind of weird feeling here that there was something happening. 93 00:03:30,000 --> 00:03:31,000 Creeped out, feeling creepy. 94 00:03:31,000 --> 00:03:32,000 Yes. 95 00:03:32,000 --> 00:03:35,000 We go downstairs. It's dark in the back room. 96 00:03:35,000 --> 00:03:38,000 And we see a shadow in there. 97 00:03:38,000 --> 00:03:40,000 A person, a silhouette of a person. 98 00:03:40,000 --> 00:03:42,000 You go back there and turn the light on, there's no one in there. 99 00:03:42,000 --> 00:03:44,000 So I don't know how to explain it. 100 00:03:45,000 --> 00:03:46,000 Alright, so what do you know? 101 00:03:46,000 --> 00:03:48,000 I'll take you up to the apartment upstairs. 102 00:03:50,000 --> 00:03:52,000 Alright, so what goes on up here? 103 00:03:52,000 --> 00:03:55,000 The bands did here a couple of times and they were sleeping in. 104 00:03:55,000 --> 00:03:58,000 One of them was there and there's two guys in the back room. 105 00:03:58,000 --> 00:04:00,000 And one of them jumped up to the bed. 106 00:04:00,000 --> 00:04:04,000 And saw somebody riding this bicycle here. 107 00:04:04,000 --> 00:04:07,000 But he thought that it was one of his own guys. 108 00:04:07,000 --> 00:04:09,000 And he checked the room. 109 00:04:09,000 --> 00:04:11,000 The two guys were asleep in the back room. 110 00:04:11,000 --> 00:04:12,000 And then they came out. 111 00:04:12,000 --> 00:04:16,000 And the three of them saw the same apparition on this bicycle. 112 00:04:18,000 --> 00:04:20,000 Alright, Steve, so what goes on in here? 113 00:04:20,000 --> 00:04:24,000 Well, we were here in 5W at the moment with young gentlemen staying here. 114 00:04:24,000 --> 00:04:26,000 It was about 1.30 in the morning. 115 00:04:26,000 --> 00:04:28,000 I've got this chair and I was sitting facing the TV. 116 00:04:28,000 --> 00:04:31,000 And in the window, kind of in front of the Empire State Building, 117 00:04:31,000 --> 00:04:35,000 there was like a silhouette of a guy just looking in like that. 118 00:04:35,000 --> 00:04:38,000 And he was looking straight at me, looking in the eyes, you know? 119 00:04:38,000 --> 00:04:39,000 And I was kind of like frozen. 120 00:04:39,000 --> 00:04:42,000 It's just like a guy in his mid-60s with a moustache, you know? 121 00:04:42,000 --> 00:04:43,000 It looks a bit like Gene Eggman. 122 00:04:43,000 --> 00:04:45,000 I never used to believe in this sort of thing at all. 123 00:04:45,000 --> 00:04:47,000 But since I've been in that apartment, 124 00:04:48,000 --> 00:04:50,000 I've been a bit freaked out by it. 125 00:04:51,000 --> 00:04:53,000 All we're going to do from here is go talk to the rest of the crew. 126 00:04:53,000 --> 00:04:55,000 We'll start setting up the equipment and get going. 127 00:04:55,000 --> 00:04:56,000 Appreciate it. 128 00:04:56,000 --> 00:04:57,000 Thank you. 129 00:04:57,000 --> 00:04:58,000 Yeah, have to. 130 00:05:01,000 --> 00:05:03,000 All right, guys. Let's be quick-efficient. 131 00:05:03,000 --> 00:05:04,000 This is New York City. We've got to be quick. 132 00:05:04,000 --> 00:05:05,000 Thanks. Thank you, everyone. 133 00:05:05,000 --> 00:05:06,000 All right. Help us out. 134 00:05:06,000 --> 00:05:09,000 So Steve just finished giving us a tour of Patty Riley's. 135 00:05:09,000 --> 00:05:11,000 And there's a lot of claims here in different areas. 136 00:05:11,000 --> 00:05:15,000 Everything from full-body apparitions to voices to objects moving. 137 00:05:15,000 --> 00:05:17,000 We're going to start setting up the equipment, 138 00:05:17,000 --> 00:05:19,000 trying to cover these areas to the best of our ability, 139 00:05:19,000 --> 00:05:21,000 and get the investigation going. 140 00:05:21,000 --> 00:05:22,000 How's that looking? 141 00:05:22,000 --> 00:05:23,000 Perfect. Thank you. 142 00:05:27,000 --> 00:05:28,000 Hey, guys. Looks good. 143 00:05:28,000 --> 00:05:29,000 Yeah. 144 00:05:29,000 --> 00:05:30,000 We have four cameras up, guys. 145 00:05:30,000 --> 00:05:31,000 Camera one is in the basement. 146 00:05:31,000 --> 00:05:33,000 That's where they're seeing shadows, 147 00:05:33,000 --> 00:05:34,000 and people are feeling uneasy. 148 00:05:34,000 --> 00:05:37,000 Camera two is the entire bar here, 149 00:05:37,000 --> 00:05:40,000 but most importantly, the pump handle. 150 00:05:40,000 --> 00:05:43,000 Camera three is the bedroom on the fifth floor. 151 00:05:43,000 --> 00:05:45,000 We're supposedly, Gene Hackman looked like, 152 00:05:45,000 --> 00:05:47,000 is outside running around on the roof. 153 00:05:47,000 --> 00:05:48,000 It's a little crazy. 154 00:05:48,000 --> 00:05:50,000 It's a little crazy, but you never know. 155 00:05:50,000 --> 00:05:51,000 We've heard crazier stories. 156 00:05:51,000 --> 00:05:55,000 Now, our final camera is the fourth floor apartment. 157 00:05:55,000 --> 00:05:58,000 And this is the bathroom door that supposedly opens and closes. 158 00:05:58,000 --> 00:06:00,000 Uniqueness of claims. 159 00:06:00,000 --> 00:06:03,000 Uniqueness of claims, but I have heard crazier stories. 160 00:06:03,000 --> 00:06:04,000 Yeah. 161 00:06:04,000 --> 00:06:06,000 All right, let's get digital recorders to all the cameras, 162 00:06:06,000 --> 00:06:08,000 and let's go lights out. 163 00:06:16,000 --> 00:06:18,000 It's like climbing a light out. 164 00:06:18,000 --> 00:06:21,000 Jay and Grant, Hattie, Riley's, 165 00:06:21,000 --> 00:06:24,000 heading all the way up to fifth floor apartment, 166 00:06:24,000 --> 00:06:27,000 heading into five W. 167 00:06:28,000 --> 00:06:31,000 All right, so this is the place where they see an entity. 168 00:06:31,000 --> 00:06:33,000 It looks like Gene Hackman. 169 00:06:33,000 --> 00:06:35,000 Who is still alive, mind you. 170 00:06:35,000 --> 00:06:39,000 We were looking for an apparition that somehow was seen through a window. 171 00:06:39,000 --> 00:06:41,000 We don't know if it was on the roof next door, 172 00:06:41,000 --> 00:06:44,000 or floating or whatever that resembled Gene Hackman. 173 00:06:44,000 --> 00:06:45,000 Where would he be? 174 00:06:45,000 --> 00:06:47,000 Just floating out by the window? 175 00:06:47,000 --> 00:06:48,000 There's no fire escape, right? 176 00:06:48,000 --> 00:06:49,000 There's nothing here. 177 00:06:49,000 --> 00:06:51,000 There's a fire escape over there. 178 00:06:55,000 --> 00:06:56,000 There's anyone here? 179 00:06:56,000 --> 00:06:58,000 My name's Jason, this is Grant. 180 00:06:58,000 --> 00:06:59,000 Hello. 181 00:06:59,000 --> 00:07:02,000 Just looking to talk with you, and I look at a body of you. 182 00:07:02,000 --> 00:07:07,000 Some of the people who live here have been a bit frightened by your appearance. 183 00:07:07,000 --> 00:07:09,000 A gentleman was in here who lives here now, 184 00:07:09,000 --> 00:07:11,000 saw someone outside his window. 185 00:07:11,000 --> 00:07:13,000 Was that you? 186 00:07:18,000 --> 00:07:20,000 I heard that, but I think it's from outside. 187 00:07:20,000 --> 00:07:21,000 That window? 188 00:07:22,000 --> 00:07:23,000 No. 189 00:07:23,000 --> 00:07:25,000 No, it's all closed. 190 00:07:25,000 --> 00:07:26,000 Okay. 191 00:07:28,000 --> 00:07:33,000 If you're here with us, if you can make a loud enough noise that we'll be able to hear. 192 00:07:34,000 --> 00:07:37,000 The people you're trying to reach are getting scared by you. 193 00:07:37,000 --> 00:07:41,000 Can you do anything to let us know that you are here? 194 00:07:44,000 --> 00:07:45,000 What is that? 195 00:07:51,000 --> 00:07:56,000 The gentleman who was in here, who lives here now, saw someone outside his window. 196 00:07:56,000 --> 00:07:57,000 Was that you? 197 00:08:02,000 --> 00:08:04,000 I heard that, but I think it's from outside. 198 00:08:04,000 --> 00:08:09,000 If there is anyone here, can you do anything to let us know that you are here? 199 00:08:13,000 --> 00:08:14,000 What is that? 200 00:08:22,000 --> 00:08:25,000 Don't be afraid, we're just coming to see what the sound is. 201 00:08:26,000 --> 00:08:29,000 Jay and I were up on the fifth floor when we heard a series of noises. 202 00:08:32,000 --> 00:08:34,000 They come from the hall? 203 00:08:34,000 --> 00:08:36,000 I don't know where they came from. 204 00:08:42,000 --> 00:08:44,000 It wasn't the house. 205 00:08:47,000 --> 00:08:50,000 They don't have an ice maker, so it's not that. 206 00:08:50,000 --> 00:08:55,000 That was you that just made that noise that made us look around. 207 00:08:55,000 --> 00:08:57,000 Can you do that again for us? 208 00:08:58,000 --> 00:09:00,000 I don't know, it was the sound from the kitchen. 209 00:09:00,000 --> 00:09:01,000 I don't know what it was. 210 00:09:02,000 --> 00:09:05,000 We searched all over for the source of the sound, which we never found, 211 00:09:05,000 --> 00:09:07,000 but it did sound more mechanical than paranormal. 212 00:09:13,000 --> 00:09:16,000 Probably gonna get some high K2 readings down there. 213 00:09:16,000 --> 00:09:20,000 When we headed into the basement, it was clear to both Jay and I 214 00:09:20,000 --> 00:09:22,000 that obviously there were gonna be high EMF fields. 215 00:09:22,000 --> 00:09:25,000 There's all sorts of pipes, cabling and wiring down there. 216 00:09:25,000 --> 00:09:29,000 It's such a low ceiling too, it's gonna put all this electrical right in your face. 217 00:09:29,000 --> 00:09:31,000 Look at this. 218 00:09:32,000 --> 00:09:37,000 And sure enough, we got down there and every pipe had some kind of EMF field surrounding it 219 00:09:37,000 --> 00:09:41,000 and they were pretty high, so we have a fear cage down there. 220 00:09:41,000 --> 00:09:44,000 I thought, jeez Jay, whole place. 221 00:09:44,000 --> 00:09:46,000 Yeah, you can feel it, it's just humming. 222 00:09:46,000 --> 00:09:51,000 The reason it's a fear cage is because if somebody is subjected to high electromagnetic fields 223 00:09:51,000 --> 00:09:56,000 for a long period of time, it can cause everything from skin irritation, nausea, fatigue and hallucinations. 224 00:09:56,000 --> 00:09:59,000 It's right where they walk, the whole place. 225 00:09:59,000 --> 00:10:01,000 What the hell is that smell? 226 00:10:01,000 --> 00:10:03,000 Oh, God, what is that? 227 00:10:03,000 --> 00:10:05,000 I can't do it, go over there. 228 00:10:05,000 --> 00:10:06,000 Can you borrow the flashlight? 229 00:10:06,000 --> 00:10:08,000 Yeah, here, it's brutal. 230 00:10:10,000 --> 00:10:11,000 You smell it? 231 00:10:11,000 --> 00:10:12,000 Yeah. 232 00:10:12,000 --> 00:10:17,000 The smell of the air is very dank and musty and those are a combination 233 00:10:17,000 --> 00:10:21,000 that make people just feel creeped out and uncomfortable, claustrophobic 234 00:10:21,000 --> 00:10:24,000 and that could explain why people don't feel comfortable down there. 235 00:10:24,000 --> 00:10:26,000 Just get some fresh air. 236 00:10:28,000 --> 00:10:32,000 Amy and Chris, bar of Patty Riley's New York City. 237 00:10:32,000 --> 00:10:34,000 There are a few reports here. 238 00:10:34,000 --> 00:10:39,000 One has to do with this little water pump thing. 239 00:10:39,000 --> 00:10:42,000 I guess they had it shipped over from Ireland. 240 00:10:42,000 --> 00:10:44,000 And I guess this woman was working in the other room. 241 00:10:44,000 --> 00:10:47,000 She heard a bottle smash and it was near this thing 242 00:10:47,000 --> 00:10:52,000 so she just assumed that this thing was pumping which caused the bottle to fall off and break. 243 00:10:52,000 --> 00:10:57,000 Something we've experienced ourselves in the past where if a bar is slick, 244 00:10:57,000 --> 00:11:01,000 glasses can tend to move across it pretty easily. 245 00:11:03,000 --> 00:11:08,000 So we actually got the bar wet, set bottles on it and tried to move around it, 246 00:11:08,000 --> 00:11:11,000 tried to shake the bar, we shook the water pump. 247 00:11:11,000 --> 00:11:13,000 It's moving? 248 00:11:13,000 --> 00:11:14,000 No. 249 00:11:14,000 --> 00:11:17,000 Unfortunately nothing really moved too much for us and when it did, 250 00:11:17,000 --> 00:11:19,000 it took a lot of effort on our part. 251 00:11:19,000 --> 00:11:24,000 So I don't think that we were able to fully debunk it, but it could be a possibility. 252 00:11:24,000 --> 00:11:31,000 If there's someone here who likes to play with this pump, please do so while we are here tonight. 253 00:11:31,000 --> 00:11:33,000 We'd like to see this move. 254 00:11:33,000 --> 00:11:37,000 We're going to just ask you a few questions. 255 00:11:37,000 --> 00:11:39,000 Please feel free to come out. 256 00:11:43,000 --> 00:11:47,000 Can you let us know that you're listening by moving something in the bar, 257 00:11:47,000 --> 00:11:51,000 maybe one of the bottles, maybe even the pump? 258 00:12:00,000 --> 00:12:02,000 Whoa, what is that? 259 00:12:04,000 --> 00:12:11,000 At one point, Chris and I heard what sounded like footsteps coming from the bar area. 260 00:12:19,000 --> 00:12:21,000 What does it keep sound like? 261 00:12:21,000 --> 00:12:22,000 Something about... 262 00:12:22,000 --> 00:12:24,000 Are they walking up there? 263 00:12:27,000 --> 00:12:29,000 Did sound like footsteps overhead? 264 00:12:29,000 --> 00:12:31,000 Yeah, it's just the creaking. 265 00:12:31,000 --> 00:12:33,000 The building is so old though. 266 00:12:33,000 --> 00:12:34,000 Yeah. 267 00:12:34,000 --> 00:12:36,000 There's an air vent right here too. 268 00:12:36,000 --> 00:12:39,000 If this kicked on, that might have made that creak over there. 269 00:12:39,000 --> 00:12:40,000 Ugh. 270 00:12:41,000 --> 00:12:44,000 Maybe we should see what everybody's up to and what... 271 00:12:44,000 --> 00:12:46,000 What was that? 272 00:12:46,000 --> 00:12:47,000 Whoa. 273 00:12:47,000 --> 00:12:49,000 Somebody tried to open the door. 274 00:12:56,000 --> 00:12:59,000 Maybe we should see what everybody's up to and what... 275 00:12:59,000 --> 00:13:01,000 What was that? 276 00:13:01,000 --> 00:13:02,000 Whoa. 277 00:13:05,000 --> 00:13:07,000 Somebody tried to open the door. 278 00:13:08,000 --> 00:13:10,000 Why would they try to do that? 279 00:13:14,000 --> 00:13:16,000 That door has three locks on it. 280 00:13:16,000 --> 00:13:18,000 I don't think you should open it. 281 00:13:18,000 --> 00:13:21,000 Amy and I were investigating the bar of Patty Riley's. 282 00:13:21,000 --> 00:13:24,000 We definitely heard what sounded like the back door closing, 283 00:13:24,000 --> 00:13:28,000 but it was impossible to tell if it came from inside the bar or outside on the street. 284 00:13:29,000 --> 00:13:30,000 New York. 285 00:13:30,000 --> 00:13:34,000 So, you know, that's one of the things we do have to keep in mind when we're investigating. 286 00:13:34,000 --> 00:13:38,000 You know, especially with the recorders later, when Steve and Tango were reviewing these things, 287 00:13:38,000 --> 00:13:41,000 we have to make sure that when we're here, we're tagging everything we hear, 288 00:13:41,000 --> 00:13:43,000 so there's no mistakes later on. 289 00:13:45,000 --> 00:13:46,000 Hello? 290 00:13:48,000 --> 00:13:50,000 Can you move this pump for us? 291 00:13:51,000 --> 00:13:53,000 The lever up and down? 292 00:13:54,000 --> 00:13:56,000 I tell you what, I investigated in the bar here, 293 00:13:56,000 --> 00:13:58,000 and a lot of different claims coming from in here. 294 00:13:58,000 --> 00:13:59,000 You know, the water pump, 295 00:13:59,000 --> 00:14:01,000 especially the pump handle moves, there's glasses, 296 00:14:01,000 --> 00:14:03,000 and they slide off and break, 297 00:14:03,000 --> 00:14:06,000 and they hear voices coming, you know, from this room. 298 00:14:07,000 --> 00:14:08,000 The mixologies. 299 00:14:08,000 --> 00:14:09,000 It's all foaming up. 300 00:14:09,000 --> 00:14:11,000 It's not my fault. That's in the keg. 301 00:14:12,000 --> 00:14:13,000 The keg. 302 00:14:15,000 --> 00:14:17,000 It's all foaming. 303 00:14:20,000 --> 00:14:22,000 Hey, buddy, we poured you some beer. 304 00:14:22,000 --> 00:14:23,000 Laddie. 305 00:14:23,000 --> 00:14:24,000 Lad? 306 00:14:24,000 --> 00:14:27,000 We poured you some nice beer. 307 00:14:28,000 --> 00:14:30,000 Let's have a pint, lads. 308 00:14:32,000 --> 00:14:34,000 Are you from Ireland? 309 00:14:37,000 --> 00:14:40,000 Can you move an object in this room? 310 00:14:45,000 --> 00:14:47,000 We've been told that you have done it before. 311 00:14:49,000 --> 00:14:51,000 If you do that, we'll leave you alone. 312 00:14:51,000 --> 00:14:52,000 Just once. 313 00:14:52,000 --> 00:14:56,000 Move something to let us know that you're here with us, please. 314 00:14:57,000 --> 00:14:58,000 Did you feel that? 315 00:14:58,000 --> 00:15:00,000 Like that little box truck went by. 316 00:15:00,000 --> 00:15:01,000 Did you feel it? 317 00:15:01,000 --> 00:15:04,000 Yeah, and didn't even really make a rumble or that much of a noise, 318 00:15:04,000 --> 00:15:06,000 but you could feel the vibration. 319 00:15:06,000 --> 00:15:10,000 So imagine like a big truck hitting, you know, making noise. 320 00:15:10,000 --> 00:15:14,000 These bottles that are on the edge fall off, 321 00:15:14,000 --> 00:15:17,000 or that lever on the pump goes down. 322 00:15:17,000 --> 00:15:19,000 Dislages, yeah. 323 00:15:19,000 --> 00:15:23,000 That truck could vibrate things in this room. 324 00:15:23,000 --> 00:15:25,000 It's hard to say that that is exactly what's happening, 325 00:15:25,000 --> 00:15:27,000 but it's definitely a possibility. 326 00:15:27,000 --> 00:15:29,000 We're big fans of Ireland. 327 00:15:30,000 --> 00:15:31,000 We like Lucky Charms. 328 00:15:31,000 --> 00:15:33,000 Oh, don't say that. 329 00:15:33,000 --> 00:15:34,000 We like Irish Spring. 330 00:15:34,000 --> 00:15:36,000 That's just so bad, man. 331 00:15:36,000 --> 00:15:37,000 What do you mean? 332 00:15:37,000 --> 00:15:38,000 That's so American of you. 333 00:15:38,000 --> 00:15:39,000 We hate soccer. 334 00:15:39,000 --> 00:15:40,000 That's true. 335 00:15:41,000 --> 00:15:42,000 We like castles. 336 00:15:43,000 --> 00:15:44,000 That's true. 337 00:15:44,000 --> 00:15:45,000 We like leprechauns. 338 00:15:45,000 --> 00:15:48,000 We know that there is gold at the end of every rainbow. 339 00:15:50,000 --> 00:15:51,000 What else is Irish? 340 00:15:52,000 --> 00:15:53,000 Ignore him. 341 00:15:55,000 --> 00:15:56,000 Steve, Tango. 342 00:15:56,000 --> 00:15:57,000 Hey, let's get the lights on, guys. 343 00:15:57,000 --> 00:15:58,000 We're going to wrap. 344 00:16:03,000 --> 00:16:05,000 So we just wrapped the investigation at Patty Riley's. 345 00:16:05,000 --> 00:16:08,000 You know, there's been some interesting things that have happened, 346 00:16:08,000 --> 00:16:09,000 some strange sounds. 347 00:16:09,000 --> 00:16:11,000 I think we're able to debunk some of the claims 348 00:16:11,000 --> 00:16:12,000 that they've had here. 349 00:16:12,000 --> 00:16:15,000 All in all, it's just been a great experience being in New York City 350 00:16:15,000 --> 00:16:16,000 and at Nairish Pub. 351 00:16:18,000 --> 00:16:21,000 We had some very odd and unique claims that we were up against. 352 00:16:21,000 --> 00:16:22,000 Maybe there's something going on here 353 00:16:22,000 --> 00:16:24,000 that's just kind of skirting around the edges. 354 00:16:24,000 --> 00:16:26,000 I'm hoping we caught more than that on our cameras. 355 00:16:38,000 --> 00:16:40,000 Tango, I think we're going to have to go back to the city. 356 00:16:41,000 --> 00:16:44,000 Tango and I are getting ready to review the evidence for Patty Riley's. 357 00:16:44,000 --> 00:16:46,000 And this was a really fun case. 358 00:16:46,000 --> 00:16:49,000 And now we have to look for any evidence that backs up their stories, 359 00:16:49,000 --> 00:16:52,000 that backs up anything that anybody may have experienced. 360 00:16:52,000 --> 00:16:53,000 And we're going to look through everything, 361 00:16:53,000 --> 00:16:54,000 all of our audio, all of our video, 362 00:16:54,000 --> 00:16:56,000 and hopefully we'll find something. 363 00:16:57,000 --> 00:17:01,000 Tango, I got something here I'd like you to take a listen to for me. 364 00:17:01,000 --> 00:17:03,000 This is Chris and Amy. 365 00:17:03,000 --> 00:17:06,000 And they're investigating at the bar. 366 00:17:06,000 --> 00:17:09,000 You hear them talking and you hear a slight little whisper. 367 00:17:09,000 --> 00:17:12,000 To me it almost sounds like a breath or a half word 368 00:17:12,000 --> 00:17:14,000 that somebody would say in between sentences or something. 369 00:17:14,000 --> 00:17:16,000 Take a listen for me. 370 00:17:16,000 --> 00:17:17,000 Ready? 371 00:17:17,000 --> 00:17:19,000 It's what? Iron? 372 00:17:20,000 --> 00:17:22,000 Yeah, I definitely hear that. 373 00:17:22,000 --> 00:17:25,000 I mean it could be Chris before she wants to say something before. 374 00:17:25,000 --> 00:17:27,000 She does do that a lot too. 375 00:17:27,000 --> 00:17:30,000 She's going to say something, she's going to say something, 376 00:17:30,000 --> 00:17:32,000 and then we think she says it. 377 00:17:32,000 --> 00:17:33,000 She does all the time. 378 00:17:33,000 --> 00:17:34,000 You're right. 379 00:17:34,000 --> 00:17:37,000 I think we'll have to dismiss this, unfortunately. 380 00:17:37,000 --> 00:17:38,000 But thanks Dave. 381 00:17:38,000 --> 00:17:39,000 You're welcome. 382 00:17:39,000 --> 00:17:40,000 Good ears. 383 00:17:46,000 --> 00:17:47,000 Hey Steve. 384 00:17:48,000 --> 00:17:49,000 What's up Dave? 385 00:17:49,000 --> 00:17:50,000 Look at this. 386 00:17:50,000 --> 00:17:52,000 This is on the fifth floor, 387 00:17:52,000 --> 00:17:55,000 the room where Gene Hackman was supposedly seen outside the window. 388 00:17:55,000 --> 00:17:58,000 I'm watching this and just look. 389 00:18:00,000 --> 00:18:01,000 Look at that. 390 00:18:01,000 --> 00:18:03,000 You know I almost see like a little head right there. 391 00:18:03,000 --> 00:18:04,000 Wow. 392 00:18:04,000 --> 00:18:05,000 That's crazy man. 393 00:18:07,000 --> 00:18:10,000 Hey Steve, it's good to see you again. 394 00:18:10,000 --> 00:18:11,000 Good morning Jason. 395 00:18:11,000 --> 00:18:12,000 How you been? 396 00:18:12,000 --> 00:18:13,000 Good morning guys. 397 00:18:13,000 --> 00:18:14,000 Things are very good. 398 00:18:14,000 --> 00:18:15,000 Good, good. 399 00:18:15,000 --> 00:18:16,000 Well you know what we did. 400 00:18:16,000 --> 00:18:17,000 We came in, you gave us a tour, 401 00:18:17,000 --> 00:18:18,000 showed us the hotspots, 402 00:18:18,000 --> 00:18:21,000 and we were looking for everything from the ghost of Gene Hackman 403 00:18:21,000 --> 00:18:22,000 upstairs in the apartment. 404 00:18:22,000 --> 00:18:23,000 You're still alive. 405 00:18:23,000 --> 00:18:27,000 Right down to the spirit who enjoys riding the exercise bike. 406 00:18:27,000 --> 00:18:29,000 So what we do is kind of two fold. 407 00:18:29,000 --> 00:18:31,000 We come in, we try to capture evidence of the paranormal, 408 00:18:31,000 --> 00:18:34,000 but we also try to figure out rational reasons 409 00:18:34,000 --> 00:18:36,000 why they would have to be in the apartment. 410 00:18:36,000 --> 00:18:39,000 And we try to figure out some of the reasons why they would happen 411 00:18:39,000 --> 00:18:40,000 and be confused as paranormal. 412 00:18:40,000 --> 00:18:42,000 So that's what we said about doing right off the bat. 413 00:18:42,000 --> 00:18:44,000 Well Grant and I headed out to investigate the basement. 414 00:18:44,000 --> 00:18:47,000 One thing we did find down there is there's a lot of high 415 00:18:47,000 --> 00:18:49,000 electromagnetic fields that are down there. 416 00:18:49,000 --> 00:18:51,000 Now there's different theories for that. 417 00:18:51,000 --> 00:18:54,000 First off, there's a thing called hypersensitivity, 418 00:18:54,000 --> 00:18:57,000 which people tend to get paranoid, 419 00:18:57,000 --> 00:19:01,000 freaked out hallucinations, see things from these fields. 420 00:19:01,000 --> 00:19:04,000 But also another theory is that these high EMFs 421 00:19:04,000 --> 00:19:07,000 fuel paranormal activity, that spirits are able to draw 422 00:19:07,000 --> 00:19:10,000 the energy from them to manifest themselves. 423 00:19:10,000 --> 00:19:12,000 And they're all about head level with you 424 00:19:12,000 --> 00:19:13,000 when you're in the basement. 425 00:19:13,000 --> 00:19:16,000 So is possibly something going on with the paranormal down there 426 00:19:16,000 --> 00:19:17,000 and it's drawing the energy? 427 00:19:17,000 --> 00:19:18,000 Yeah. 428 00:19:18,000 --> 00:19:20,000 Is it also that certain people are being affected 429 00:19:20,000 --> 00:19:21,000 by these high readings? 430 00:19:21,000 --> 00:19:22,000 Absolutely. 431 00:19:22,000 --> 00:19:25,000 So we don't really have a conclusion one way or the other. 432 00:19:25,000 --> 00:19:27,000 And from there we headed to the second floor. 433 00:19:27,000 --> 00:19:29,000 And Steve, I gotta tell you, I've got no explanation 434 00:19:29,000 --> 00:19:32,000 for people seeing this spirit ride in this exercise bike. 435 00:19:32,000 --> 00:19:34,000 One guy saw it, it's one thing, but three people. 436 00:19:34,000 --> 00:19:37,000 It was there long enough for him to go get the other two. 437 00:19:37,000 --> 00:19:39,000 Jay even sat on the bike, pedaled it. 438 00:19:39,000 --> 00:19:40,000 The pedals did move. 439 00:19:40,000 --> 00:19:41,000 It was a good one. 440 00:19:41,000 --> 00:19:42,000 It was a good one. 441 00:19:42,000 --> 00:19:43,000 It does work. 442 00:19:43,000 --> 00:19:44,000 It didn't even know whether it did or not to be done. 443 00:19:44,000 --> 00:19:45,000 Did the bike come with the building? 444 00:19:45,000 --> 00:19:51,000 The bike was there from the lady died in 1994. 445 00:19:51,000 --> 00:19:54,000 Well that makes a lot of sense because maybe there is what 446 00:19:54,000 --> 00:19:57,000 we call residual energy attached to the bicycle. 447 00:19:57,000 --> 00:20:01,000 Where you could move that bike anywhere and that there may be 448 00:20:01,000 --> 00:20:04,000 some memory locked into the actual makeup of the bike 449 00:20:04,000 --> 00:20:06,000 that comes out every once in a while. 450 00:20:06,000 --> 00:20:07,000 From there we headed to the fifth floor. 451 00:20:07,000 --> 00:20:10,000 A couple times we did hear some strange sounds. 452 00:20:10,000 --> 00:20:14,000 It would be knocking, sometimes right after we asked 453 00:20:14,000 --> 00:20:16,000 something to knock for us. 454 00:20:16,000 --> 00:20:18,000 Couldn't find any explanation for it. 455 00:20:18,000 --> 00:20:20,000 Couldn't find where the source was coming from. 456 00:20:20,000 --> 00:20:24,000 But we did investigate the window where the gentleman said 457 00:20:24,000 --> 00:20:27,000 he saw what looked like Gene Hagman outside his window. 458 00:20:27,000 --> 00:20:30,000 We set up a camera there to try and capture things. 459 00:20:30,000 --> 00:20:34,000 And we caught something that we want to show you. 460 00:20:34,000 --> 00:20:35,000 Fine. 461 00:20:35,000 --> 00:20:39,000 Now if you watch this area you'll see the light changes a little bit. 462 00:20:39,000 --> 00:20:41,000 As the car is going by. 463 00:20:41,000 --> 00:20:42,000 See how it's dark there? 464 00:20:42,000 --> 00:20:43,000 Yeah. 465 00:20:43,000 --> 00:20:45,000 That looks like a face there. 466 00:20:45,000 --> 00:20:46,000 Well yeah. 467 00:20:46,000 --> 00:20:48,000 And all that is is the vehicles driving by and their lights 468 00:20:48,000 --> 00:20:49,000 reflecting through the window. 469 00:20:49,000 --> 00:20:52,000 And if he was maybe in and out of sleep or just waking up 470 00:20:52,000 --> 00:20:56,000 he could easily have confused that light play as someone 471 00:20:56,000 --> 00:20:57,000 was in there. 472 00:20:57,000 --> 00:20:58,000 Yeah. 473 00:20:58,000 --> 00:21:00,000 It's a possible solution to what he experienced. 474 00:21:00,000 --> 00:21:02,000 I don't know where the looks of Gene Hagman are now. 475 00:21:02,000 --> 00:21:03,000 I don't know. 476 00:21:03,000 --> 00:21:06,000 You might need a little more of a face to tell that. 477 00:21:06,000 --> 00:21:08,000 So when it comes down to it pretty much you guys are here 478 00:21:08,000 --> 00:21:09,000 all the time. 479 00:21:09,000 --> 00:21:11,000 We are here for a short period of time. 480 00:21:11,000 --> 00:21:13,000 You guys are going to be more prone to experience something 481 00:21:13,000 --> 00:21:14,000 than we are. 482 00:21:14,000 --> 00:21:17,000 So one thing I do recommend to you is get a book that you can 483 00:21:17,000 --> 00:21:20,000 keep at the bar for your patrons to come in here. 484 00:21:20,000 --> 00:21:23,000 And when they experience something have them write it down. 485 00:21:23,000 --> 00:21:24,000 And you might be able to see a trend. 486 00:21:24,000 --> 00:21:25,000 That's a yeah. 487 00:21:25,000 --> 00:21:26,000 Exactly. 488 00:21:26,000 --> 00:21:28,000 And you might be able to answer whoever else might come 489 00:21:28,000 --> 00:21:30,000 and investigate to know you know to optimize. 490 00:21:30,000 --> 00:21:33,000 Just follow these trends or whatever we come up with. 491 00:21:33,000 --> 00:21:34,000 Yeah. 492 00:21:34,000 --> 00:21:35,000 So yeah. 493 00:21:35,000 --> 00:21:39,000 Well before you people come in here I had reservations about ghosts 494 00:21:39,000 --> 00:21:42,000 and weird things happening in Paddy Riley's and the building. 495 00:21:42,000 --> 00:21:43,000 I still have reservations. 496 00:21:43,000 --> 00:21:44,000 I've got this happening. 497 00:21:44,000 --> 00:21:46,000 But now listen to all these stories. 498 00:21:46,000 --> 00:21:47,000 Yes. 499 00:21:47,000 --> 00:21:49,000 And begin to think there might be something to it. 500 00:21:49,000 --> 00:21:53,000 Well and you have a responsibility as the head guy around here 501 00:21:53,000 --> 00:21:55,000 to look into it whether you believe in it or not. 502 00:21:55,000 --> 00:21:56,000 That's why we're here. 503 00:21:56,000 --> 00:21:59,000 Oh I can say it was a pleasure working with you guys and all 504 00:21:59,000 --> 00:22:00,000 the crew from TAPS. 505 00:22:00,000 --> 00:22:02,000 It was a great experience for me. 506 00:22:02,000 --> 00:22:05,000 And I really appreciate you coming here and doing the 507 00:22:05,000 --> 00:22:06,000 investigation. 508 00:22:06,000 --> 00:22:07,000 We appreciate you having us. 509 00:22:07,000 --> 00:22:08,000 I have learned a lot. 510 00:22:08,000 --> 00:22:09,000 Thank you. 511 00:22:09,000 --> 00:22:10,000 Thanks very much Jason. 512 00:22:10,000 --> 00:22:11,000 Thank you Grant. 513 00:22:11,000 --> 00:22:13,000 Come on we'll get out of here Steve. 514 00:22:13,000 --> 00:22:14,000 OK. 515 00:22:14,000 --> 00:22:17,000 This past weekend has been a great experience for me here and the 516 00:22:17,000 --> 00:22:19,000 rest of our staff here in Paddy Riley's. 517 00:22:19,000 --> 00:22:23,000 And I genuinely felt that the crew from TAPS did a thorough and 518 00:22:23,000 --> 00:22:25,000 comprehensive investigation. 519 00:22:25,000 --> 00:22:28,000 If we did find any spirits in Paddy Riley's I can assure everyone 520 00:22:28,000 --> 00:22:31,000 out there that they're all very friendly so they are. 521 00:22:31,000 --> 00:22:35,000 And I'm looking forward to meeting all these ghosts in Paddy 522 00:22:35,000 --> 00:22:37,000 Riley's again on St Patrick's Day. 523 00:22:37,000 --> 00:22:39,000 It is going to be a great week. 524 00:22:39,000 --> 00:22:42,000 Oh man that went well. 525 00:22:42,000 --> 00:22:43,000 Yeah. 526 00:22:43,000 --> 00:22:45,000 I had a lot of fun debunking the stuff. 527 00:22:45,000 --> 00:22:47,000 I think we came up with some clever debunking ideas. 528 00:22:47,000 --> 00:22:51,000 And like Steve said the whole team kind of came in the same 529 00:22:51,000 --> 00:22:52,000 conclusion with each plane. 530 00:22:52,000 --> 00:22:53,000 I know that could be better. 531 00:22:53,000 --> 00:22:54,000 Is it we're in Ireland. 532 00:22:54,000 --> 00:22:55,000 Exactly. 533 00:22:55,000 --> 00:22:57,000 Good job brother. 534 00:22:57,000 --> 00:22:59,000 On to the next. 535 00:23:11,000 --> 00:23:12,000 Right Chris. 536 00:23:12,000 --> 00:23:13,000 Harry, meet your Stowe house. 537 00:23:13,000 --> 00:23:14,000 You guys ready for this? 538 00:23:14,000 --> 00:23:15,000 We are definitely ready. 539 00:23:15,000 --> 00:23:16,000 Yes. 540 00:23:16,000 --> 00:23:17,000 Now what happened with Jay? 541 00:23:17,000 --> 00:23:18,000 Is he sick? 542 00:23:18,000 --> 00:23:19,000 Yeah he's kids are sick. 543 00:23:19,000 --> 00:23:20,000 He can't make it. 544 00:23:20,000 --> 00:23:21,000 So. 545 00:23:21,000 --> 00:23:22,000 Okay. 546 00:23:22,000 --> 00:23:23,000 All right. 547 00:23:23,000 --> 00:23:24,000 But Harry beat your Stowe. 548 00:23:24,000 --> 00:23:25,000 She made some waves back in her day. 549 00:23:25,000 --> 00:23:26,000 She did. 550 00:23:26,000 --> 00:23:28,000 She was a huge abolitionist. 551 00:23:28,000 --> 00:23:30,000 She was most known for the book Uncle Tom's Cabin. 552 00:23:30,000 --> 00:23:34,000 Harriet moved into the house with her husband in 1873. 553 00:23:34,000 --> 00:23:36,000 They lived there for 23 years. 554 00:23:36,000 --> 00:23:37,000 They both passed away in the house. 555 00:23:37,000 --> 00:23:39,000 And they also had a friend named Thomas Ryder. 556 00:23:39,000 --> 00:23:41,000 I guess he just stayed with them for a little bit. 557 00:23:41,000 --> 00:23:45,000 He caught this illness and he just died unexpectedly in the home as well. 558 00:23:45,000 --> 00:23:46,000 It's horrible. 559 00:23:46,000 --> 00:23:48,000 Harriet actually lost two of her sons. 560 00:23:48,000 --> 00:23:53,000 So she kind of fell away from her traditional religion and her faith. 561 00:23:53,000 --> 00:23:57,000 And she started holding seances in her house in hopes of contacting her sons. 562 00:23:57,000 --> 00:24:01,000 So they don't know if it's, you know, the ghost of Harriet, her husband, or their friend, 563 00:24:01,000 --> 00:24:04,000 or if it's something she brought in with the seances. 564 00:24:04,000 --> 00:24:06,000 All right, there it is. 565 00:24:06,000 --> 00:24:08,000 Oh wow. 566 00:24:15,000 --> 00:24:16,000 Oh hey. 567 00:24:16,000 --> 00:24:17,000 Congrats. 568 00:24:17,000 --> 00:24:18,000 Nice to meet you. 569 00:24:18,000 --> 00:24:19,000 Nice to meet you. 570 00:24:19,000 --> 00:24:20,000 Hi, it's Steve. 571 00:24:20,000 --> 00:24:21,000 Hi Steve. 572 00:24:21,000 --> 00:24:22,000 Pleasure to meet you. 573 00:24:22,000 --> 00:24:23,000 I am Dave. 574 00:24:23,000 --> 00:24:24,000 Nice to meet you. 575 00:24:24,000 --> 00:24:25,000 Nice to meet you. 576 00:24:25,000 --> 00:24:26,000 Welcome to the Harriet Beecher Stowe Center. 577 00:24:26,000 --> 00:24:27,000 Thank you, thank you. 578 00:24:27,000 --> 00:24:28,000 We're happy to be here. 579 00:24:28,000 --> 00:24:29,000 So can you tell us some of the history of the place? 580 00:24:29,000 --> 00:24:30,000 Sure. 581 00:24:30,000 --> 00:24:33,000 Right now you're standing in the home of the 19th century's most influential woman. 582 00:24:33,000 --> 00:24:38,000 Harriet Beecher Stowe is most famous for writing the best-selling anti-slavery novel Uncle Tom's Cabin, 583 00:24:38,000 --> 00:24:42,000 which really galvanized the abolition movement before the Civil War. 584 00:24:42,000 --> 00:24:46,000 I heard that even Abraham Lincoln got tributaire with some of the issues. 585 00:24:46,000 --> 00:24:48,000 Yeah, when they first met he said to her, 586 00:24:48,000 --> 00:24:51,000 so you're the little woman who wrote this book that started this great war. 587 00:24:51,000 --> 00:24:52,000 That's amazing. 588 00:24:52,000 --> 00:24:53,000 Good for her. 589 00:24:53,000 --> 00:24:54,000 It's very exciting, yeah. 590 00:24:54,000 --> 00:24:56,000 Paranormal-wise we hear that you guys have some activity. 591 00:24:56,000 --> 00:24:59,000 We have a long-standing history of an interest in paranormal here in the house. 592 00:24:59,000 --> 00:25:04,000 Stowe herself participated in seances while she was living here in this neighborhood in Hartford. 593 00:25:04,000 --> 00:25:09,000 She had involvement with a medium and her sister, Isabelle Beecher Hooker, 594 00:25:09,000 --> 00:25:11,000 was really involved in the spiritualism movement. 595 00:25:11,000 --> 00:25:12,000 You want to give us a tour? 596 00:25:12,000 --> 00:25:13,000 Sure, I'd love to. 597 00:25:13,000 --> 00:25:16,000 Yeah, we can get started over here in the front parlor. 598 00:25:16,000 --> 00:25:18,000 So this is the front parlor of the Stowe house. 599 00:25:18,000 --> 00:25:25,000 This is public space and in this room we've had an incident with the shades going up on their own. 600 00:25:26,000 --> 00:25:31,000 At the end of every night when we're closing up, you have to shut the shades down 601 00:25:31,000 --> 00:25:35,000 and I shut up both the front parlor and the dining room. 602 00:25:35,000 --> 00:25:40,000 And I started walking up the front staircase and as I was midway up the steps, 603 00:25:40,000 --> 00:25:43,000 both shades and both rooms went up at the same time. 604 00:25:43,000 --> 00:25:47,000 I was really scared and I ran right out of the house. 605 00:25:47,000 --> 00:25:49,000 Okay, so anything else in this room? 606 00:25:49,000 --> 00:25:54,000 Generally on the first floor there's been a reporting of footsteps on the second floor. 607 00:25:54,000 --> 00:25:56,000 So that happens in all the rooms down here. 608 00:25:56,000 --> 00:25:58,000 Alright, we can handle that. Where to next? 609 00:25:58,000 --> 00:26:00,000 Into the dining room next. 610 00:26:01,000 --> 00:26:08,000 So here we are in the dining room and you'll notice the portrait on the wall over there of Stowe's son Henry. 611 00:26:08,000 --> 00:26:11,000 He drowned when he was 19 in the Connecticut River. 612 00:26:11,000 --> 00:26:17,000 So Stowe saw a medium so that she could feel connected with her son and actually had contact with him 613 00:26:17,000 --> 00:26:19,000 which she found to be very comforting. 614 00:26:19,000 --> 00:26:20,000 Okay, where to next? 615 00:26:20,000 --> 00:26:22,000 We can head upstairs to the twins room now. 616 00:26:22,000 --> 00:26:24,000 Please, after you. 617 00:26:25,000 --> 00:26:29,000 This is the room in the house where people have a general sense of uneasiness. 618 00:26:29,000 --> 00:26:31,000 This is the room where people don't want to be in alone. 619 00:26:31,000 --> 00:26:36,000 Pretty much across the board over the years all staff have called this room the creepiest. 620 00:26:36,000 --> 00:26:37,000 How about you? 621 00:26:38,000 --> 00:26:40,000 You know, it's not my favorite room in the house. 622 00:26:40,000 --> 00:26:42,000 Okay, alright. 623 00:26:42,000 --> 00:26:46,000 So here we are in Stowe's bedroom, the master bedroom of the house. 624 00:26:46,000 --> 00:26:52,000 And in this room our historic interpreters have reported seeing a white flash of light pass in front of her eyes. 625 00:26:52,000 --> 00:26:58,000 I was giving a tour to a bunch of visitors and as I was doing this the light came in front of my eyes. 626 00:26:58,000 --> 00:27:05,000 And it didn't flash on, flash off. It sort of moved in and then stayed for about four or five seconds. 627 00:27:05,000 --> 00:27:06,000 Alright, where to now? 628 00:27:06,000 --> 00:27:07,000 The visitor center. 629 00:27:08,000 --> 00:27:16,000 So this is our visitor center and up here in this window we've seen an apparition of a bearded man that's passed from one window to the next. 630 00:27:16,000 --> 00:27:24,000 I was walking up to the visitor center from the parking lot to open it for the morning and I saw a figure walk by the left hand window. 631 00:27:25,000 --> 00:27:29,000 So I went inside thinking that it must be someone working with maintenance or something. 632 00:27:29,000 --> 00:27:36,000 There was nobody in the building. I searched the entire place and then I left because I was a little scared. 633 00:27:36,000 --> 00:27:41,000 I think that's pretty much it. We have a long history here with Stowe's interest in the paranormal. 634 00:27:41,000 --> 00:27:45,000 That actually might help tonight. Hopefully we can use that connection to make a connection. 635 00:27:45,000 --> 00:27:47,000 What we're going to do is we're going to meet up with the other members now. 636 00:27:47,000 --> 00:27:48,000 Okay. 637 00:27:48,000 --> 00:27:50,000 Set up our equipment and see if we can figure out for you, okay? 638 00:27:50,000 --> 00:27:51,000 Great. 639 00:27:51,000 --> 00:27:52,000 Thank you very much for the tour. 640 00:27:52,000 --> 00:27:53,000 Thank you. 641 00:27:53,000 --> 00:27:58,000 What intrigued me the most is the fact that Harriet was actually involved with the paranormal when she was alive. 642 00:27:58,000 --> 00:28:02,000 So hopefully that's a connection we can use tonight and make something happen. 643 00:28:04,000 --> 00:28:14,000 You know, Jay's not here so we have some extra weight to pull and I'm sure we can get through it and I'm sure Jay trusts in us and our abilities to do that. 644 00:28:14,000 --> 00:28:15,000 Right a little bit. 645 00:28:16,000 --> 00:28:17,000 That's good. 646 00:28:17,000 --> 00:28:18,000 That should be good. 647 00:28:19,000 --> 00:28:20,000 The guys are all set up? 648 00:28:20,000 --> 00:28:21,000 Yeah. 649 00:28:21,000 --> 00:28:23,000 I'll show you these angles real quick. 650 00:28:23,000 --> 00:28:26,000 The first camera here is of course outside the visitor's center. 651 00:28:26,000 --> 00:28:30,000 This will show us of course the apparition that they claim is walking in front of the windows. 652 00:28:30,000 --> 00:28:36,000 Camera two is the front parlor and they claim that that shade there raises on its own. 653 00:28:36,000 --> 00:28:38,000 Camera three is the master bedroom. 654 00:28:38,000 --> 00:28:41,000 And the last camera here is in the dining room, front door covered as well. 655 00:28:41,000 --> 00:28:43,000 All right, let's get lights out guys. 656 00:28:43,000 --> 00:28:44,000 Thanks. 657 00:28:52,000 --> 00:28:55,000 Inside the historic Sto House. 658 00:28:55,000 --> 00:28:59,000 All right, this is Steven Grant in the Harriet Beecher Sto House. 659 00:29:01,000 --> 00:29:04,000 All right, so I remember saying it's this shade right here, same side. 660 00:29:08,000 --> 00:29:12,000 It just don't rally up like you see, you know, like in the cartoons. 661 00:29:12,000 --> 00:29:17,000 What I do see is that under each window is a vent. 662 00:29:17,000 --> 00:29:22,000 I don't know how that could be affected with any on the floor. 663 00:29:22,000 --> 00:29:27,000 There were vents under each window that we thought, okay, you get a significant blast up there. 664 00:29:27,000 --> 00:29:32,000 It may shake the shade enough where it would roll up, but these ones were particularly stubborn. 665 00:29:36,000 --> 00:29:38,000 Okay, we have a device in the middle of the floor. 666 00:29:38,000 --> 00:29:44,000 So if you approach that device, that's a great way for us to know you're here. 667 00:29:45,000 --> 00:29:48,000 In fact, I'm going to put one more device over there. 668 00:29:54,000 --> 00:29:58,000 One thing that happens here is that the shades go up by themselves. 669 00:29:59,000 --> 00:30:01,000 It's one thing we can't figure out. 670 00:30:01,000 --> 00:30:03,000 Is that you who does it? 671 00:30:03,000 --> 00:30:04,000 Point three. 672 00:30:06,000 --> 00:30:10,000 Can you make them go up for us? 673 00:30:11,000 --> 00:30:12,000 Point four. 674 00:30:12,000 --> 00:30:13,000 Okay. 675 00:30:13,000 --> 00:30:14,000 Point five. 676 00:30:14,000 --> 00:30:15,000 Point six. 677 00:30:15,000 --> 00:30:16,000 Great. 678 00:30:16,000 --> 00:30:18,000 We can't figure out what makes the shades go up. 679 00:30:18,000 --> 00:30:19,000 Look at the K2. 680 00:30:19,000 --> 00:30:20,000 Look at the K2. 681 00:30:20,000 --> 00:30:21,000 Look at that. 682 00:30:24,000 --> 00:30:26,000 Okay, we have a device in the middle of the floor. 683 00:30:26,000 --> 00:30:32,000 So if you approach that device, that's a great way for us to know you're here. 684 00:30:32,000 --> 00:30:38,000 When we're in the front parlor, I put some devices kind of away from us to see if an entity would want to try to approach us. 685 00:30:38,000 --> 00:30:40,000 The EMF is a point four. 686 00:30:40,000 --> 00:30:41,000 Okay. 687 00:30:41,000 --> 00:30:42,000 Point five. 688 00:30:42,000 --> 00:30:43,000 Point six. 689 00:30:43,000 --> 00:30:44,000 Great. 690 00:30:44,000 --> 00:30:46,000 We can't figure out what makes the shades go up. 691 00:30:46,000 --> 00:30:47,000 Look at the K2. 692 00:30:47,000 --> 00:30:48,000 Look at the K2. 693 00:30:48,000 --> 00:30:49,000 Look at that. 694 00:30:49,000 --> 00:30:55,000 As we were doing an EVP session just kind of talking, we got some response with the K2. 695 00:30:55,000 --> 00:30:59,000 Are we talking with Henry? 696 00:31:02,000 --> 00:31:03,000 No. 697 00:31:03,000 --> 00:31:05,000 It's all went down. 698 00:31:05,000 --> 00:31:06,000 Look at that. 699 00:31:06,000 --> 00:31:07,000 Three, two, one. 700 00:31:08,000 --> 00:31:09,000 Did you see that? 701 00:31:09,000 --> 00:31:10,000 All went down to zero. 702 00:31:10,000 --> 00:31:11,000 After I said, Henry. 703 00:31:11,000 --> 00:31:13,000 That was crazy. 704 00:31:13,000 --> 00:31:15,000 I didn't mean to offend you. 705 00:31:15,000 --> 00:31:22,000 You know, we were just trying to see what happens when we pass and reach the other side and learn from it. 706 00:31:25,000 --> 00:31:28,000 Can you give us a sign that you're here with us? 707 00:31:31,000 --> 00:31:34,000 We're not getting anything earth-shattering down here. 708 00:31:34,000 --> 00:31:38,000 Maybe we should at least move on and bunk some of the stuff upstairs. 709 00:31:38,000 --> 00:31:39,000 Sure. 710 00:31:39,000 --> 00:31:40,000 What's doing? 711 00:31:40,000 --> 00:31:41,000 All right. 712 00:31:41,000 --> 00:31:49,000 So this is Kristen and Amy first floor of the Harriet Beecher Stowe House. 713 00:31:52,000 --> 00:31:57,000 Are there any members of the Stowe family here with us? 714 00:32:02,000 --> 00:32:03,000 You're upstairs? 715 00:32:03,000 --> 00:32:04,000 I heard the animals. 716 00:32:04,000 --> 00:32:06,000 Sound like footsteps now? 717 00:32:06,000 --> 00:32:07,000 It's not like one footsteps. 718 00:32:07,000 --> 00:32:14,000 Amy and I investigated the Stowe House and at one point we actually did hear footsteps coming from the second floor, which was one of the reports. 719 00:32:15,000 --> 00:32:17,000 I definitely found it sounding like a footsteps. 720 00:32:17,000 --> 00:32:18,000 Yep. 721 00:32:18,000 --> 00:32:20,000 It was like one solid dump. 722 00:32:20,000 --> 00:32:22,000 So we ended up running up there. 723 00:32:22,000 --> 00:32:24,000 We went right into the twins room. 724 00:32:24,000 --> 00:32:26,000 That's where we heard the footsteps coming from. 725 00:32:27,000 --> 00:32:28,000 Okay. 726 00:32:28,000 --> 00:32:29,000 That was weird. 727 00:32:29,000 --> 00:32:30,000 It sounded like footsteps. 728 00:32:30,000 --> 00:32:31,000 It was right up here. 729 00:32:31,000 --> 00:32:33,000 We were directly below this room. 730 00:32:33,000 --> 00:32:34,000 Yeah. 731 00:32:34,000 --> 00:32:37,000 Did you want us to come up here for some reason? 732 00:32:43,000 --> 00:32:45,000 Is this your house? 733 00:32:46,000 --> 00:32:47,000 Hello. 734 00:32:48,000 --> 00:32:56,000 It just seemed like as soon as we got up there things just got quiet on us unfortunately and we really didn't have too much luck after that. 735 00:32:56,000 --> 00:32:58,000 Maybe we should go back downstairs. 736 00:32:58,000 --> 00:32:59,000 Yeah. 737 00:32:59,000 --> 00:33:02,000 And see if it starts up again. 738 00:33:02,000 --> 00:33:04,000 We did have DVR cameras going. 739 00:33:04,000 --> 00:33:06,000 We had our recorders rolling. 740 00:33:06,000 --> 00:33:10,000 So hopefully something got picked up on one of our pieces of equipment. 741 00:33:14,000 --> 00:33:17,000 Now this room will be a little bit more difficult. 742 00:33:17,000 --> 00:33:20,000 We got that bright light in the woman's eyes over here. 743 00:33:20,000 --> 00:33:21,000 Yep. 744 00:33:21,000 --> 00:33:22,000 Absolutely. 745 00:33:22,000 --> 00:33:24,000 And the shadow going this way. 746 00:33:24,000 --> 00:33:26,000 Yep. 747 00:33:27,000 --> 00:33:28,000 Hello. 748 00:33:28,000 --> 00:33:29,000 Hello. 749 00:33:30,000 --> 00:33:31,000 Harriet, Mrs. Stowe. 750 00:33:32,000 --> 00:33:36,000 We're in your bedroom if you'd like to come in here and visit with us. 751 00:33:37,000 --> 00:33:43,000 We're here to say thank you for everything you've done for us, your entertainment. 752 00:33:43,000 --> 00:33:47,000 For helping this country take some positive turns. 753 00:33:49,000 --> 00:33:51,000 Maybe you could come sit on the bed. 754 00:33:54,000 --> 00:33:57,000 We have an object on the bed that can measure 755 00:33:59,000 --> 00:34:01,000 your energy. 756 00:34:03,000 --> 00:34:06,000 Maybe you can come in and sit down. 757 00:34:07,000 --> 00:34:12,000 We're here just to learn about your life and how inspirational you were to this country. 758 00:34:14,000 --> 00:34:15,000 Well I'll tell you what, Steve. 759 00:34:15,000 --> 00:34:16,000 Maybe we should... 760 00:34:16,000 --> 00:34:18,000 Do you want to give someone else a run through here? 761 00:34:18,000 --> 00:34:19,000 Yeah. 762 00:34:19,000 --> 00:34:20,000 See what we're doing. 763 00:34:20,000 --> 00:34:21,000 Sure. Absolutely. 764 00:34:23,000 --> 00:34:24,000 Thank you. 765 00:34:24,000 --> 00:34:25,000 Here we are. 766 00:34:25,000 --> 00:34:31,000 Kristen and I first started up in the second level where supposedly a man is walking around with a beard. 767 00:34:31,000 --> 00:34:33,000 People see him from outside. 768 00:34:34,000 --> 00:34:36,000 So what happens in this room? 769 00:34:36,000 --> 00:34:40,000 Well supposedly in this room, what people see from outside, that's why we have that camera out there. 770 00:34:40,000 --> 00:34:44,000 Supposedly a bearded man walking back and forth. 771 00:34:44,000 --> 00:34:45,000 So I mean... 772 00:34:45,000 --> 00:34:46,000 I can see that much detail from outside. 773 00:34:46,000 --> 00:34:47,000 That's what I mean. 774 00:34:47,000 --> 00:34:48,000 Right. So I don't know. 775 00:34:48,000 --> 00:34:52,000 We decided to call down to Amy who was watching the equipment to ask her for help. 776 00:34:52,000 --> 00:34:55,000 Hey Amy, this is a tango and Chris. 777 00:34:56,000 --> 00:34:57,000 Yeah, go ahead. 778 00:34:58,000 --> 00:35:02,000 We're gonna walk back and forth on the visitor's center, the second floor. 779 00:35:02,000 --> 00:35:07,000 Would you mind taking a look and just to see what you see? 780 00:35:07,000 --> 00:35:09,000 It looks like we have beards maybe. 781 00:35:09,000 --> 00:35:11,000 Just to see what it looks like. 782 00:35:11,000 --> 00:35:13,000 Maybe we can try to figure this out. 783 00:35:13,000 --> 00:35:15,000 Yeah, I will head over there right now. 784 00:35:16,000 --> 00:35:17,000 Copy. Thank you. 785 00:35:17,000 --> 00:35:20,000 We're up there and we actually walk you to Amy saying, 786 00:35:20,000 --> 00:35:23,000 hey, we're gonna walk back and forth to tell us what you see. 787 00:35:23,000 --> 00:35:25,000 Ask her if I look like I have a beard. 788 00:35:25,000 --> 00:35:28,000 Does Chris Williams look like she has a beard on? 789 00:35:28,000 --> 00:35:30,000 I can't even see Chris Williams right now. 790 00:35:30,000 --> 00:35:32,000 I can't see either of you when the lights are out. 791 00:35:32,000 --> 00:35:34,000 So now, what about what the lights on? 792 00:35:34,000 --> 00:35:36,000 Maybe she sees like a shadow. 793 00:35:36,000 --> 00:35:37,000 Oh, I see what you're saying. 794 00:35:37,000 --> 00:35:39,000 Maybe she's seeing a shadow from through your chin. 795 00:35:39,000 --> 00:35:42,000 Honestly, it's so dark I can't even see you guys moving around. 796 00:35:42,000 --> 00:35:45,000 Have her look to see if you have a beard with the lights on. 797 00:35:45,000 --> 00:35:48,000 Hey Amy, would you mind taking a look? 798 00:35:48,000 --> 00:35:50,000 Yeah, I think if I saw you out of the corner of my eye, 799 00:35:50,000 --> 00:35:52,000 I might mistake you for a bearded man. 800 00:35:52,000 --> 00:35:53,000 See that? 801 00:35:53,000 --> 00:35:54,000 Very interesting. 802 00:35:54,000 --> 00:35:55,000 Art classes. 803 00:35:55,000 --> 00:35:56,000 Yes. 804 00:36:00,000 --> 00:36:03,000 There was a girl named Kate, works here, 805 00:36:03,000 --> 00:36:07,000 and she actually heard her name, you know, being called. 806 00:36:07,000 --> 00:36:08,000 Alright. 807 00:36:08,000 --> 00:36:10,000 I mean, no one else was supposedly here. 808 00:36:11,000 --> 00:36:15,000 We heard that Harriet needs to like to hold seances. 809 00:36:16,000 --> 00:36:21,000 In a way, what Tango and I do are kind of the same thing. 810 00:36:21,000 --> 00:36:24,000 Basically looking for proof that you're here, 811 00:36:24,000 --> 00:36:27,000 and we're hoping that you might want to speak to us. 812 00:36:29,000 --> 00:36:31,000 Is there anyone here with us? 813 00:36:32,000 --> 00:36:36,000 If there is, could you please let us know that you're listening? 814 00:36:36,000 --> 00:36:37,000 Can you knock on something? 815 00:36:37,000 --> 00:36:39,000 Can you push something off a shelf? 816 00:36:41,000 --> 00:36:45,000 Anything that you can do to let us know that you're here 817 00:36:45,000 --> 00:36:47,000 would be greatly appreciated. 818 00:36:47,000 --> 00:36:49,000 Can you tell us why you're here? 819 00:36:52,000 --> 00:36:54,000 What is that? 820 00:36:56,000 --> 00:36:58,000 It sounded like something. 821 00:37:03,000 --> 00:37:04,000 Car. 822 00:37:04,000 --> 00:37:05,000 Car. 823 00:37:05,000 --> 00:37:06,000 Okay. 824 00:37:06,000 --> 00:37:07,000 Good ears. 825 00:37:07,000 --> 00:37:08,000 Thank you. 826 00:37:10,000 --> 00:37:12,000 Alright guys, time to wrap it up. 827 00:37:14,000 --> 00:37:16,000 I investigated tonight with Grant, 828 00:37:16,000 --> 00:37:19,000 and I don't get the chance to investigate with Grant too often. 829 00:37:19,000 --> 00:37:21,000 But to be honest with you, we had a great time. 830 00:37:21,000 --> 00:37:23,000 We got to chat a little bit and catch up 831 00:37:23,000 --> 00:37:25,000 and do some good solid investigating. 832 00:37:25,000 --> 00:37:26,000 So that was fun. 833 00:37:34,000 --> 00:37:37,000 Tango and I are getting ready to read the evidence for the Stowe House. 834 00:37:37,000 --> 00:37:40,000 It was a smaller house, but we have a lot of stuff to go over. 835 00:37:40,000 --> 00:37:42,000 So we're going to sit down, get started with that, 836 00:37:42,000 --> 00:37:43,000 and review everything. 837 00:37:43,000 --> 00:37:46,000 And hopefully, we'll have something that we can bring to Grant. 838 00:37:47,000 --> 00:37:48,000 Hey Tango. 839 00:37:48,000 --> 00:37:49,000 What's up? 840 00:37:49,000 --> 00:37:54,000 I just found a section here where Chris and Amy are investigating, 841 00:37:54,000 --> 00:37:57,000 and above them, they hear a thud 842 00:37:57,000 --> 00:38:00,000 that I believe they're interpreting as a footstep. 843 00:38:00,000 --> 00:38:02,000 But I'm not sure. 844 00:38:02,000 --> 00:38:04,000 But I want you to take a listen to it 845 00:38:04,000 --> 00:38:07,000 to just see if you can figure out if it might be anything 846 00:38:07,000 --> 00:38:09,000 other than what they claim they're hearing. 847 00:38:09,000 --> 00:38:10,000 I see, no? 848 00:38:10,000 --> 00:38:11,000 Yep. 849 00:38:12,000 --> 00:38:13,000 They call me. 850 00:38:17,000 --> 00:38:21,000 And you hear a thump, and I mean, 851 00:38:21,000 --> 00:38:23,000 it just sounds like a thump to me. 852 00:38:23,000 --> 00:38:24,000 I don't know. 853 00:38:24,000 --> 00:38:26,000 We'll play this for Grant, because it does back up something 854 00:38:26,000 --> 00:38:29,000 that the girls experienced when they were investigating. 855 00:38:29,000 --> 00:38:30,000 Right. 856 00:38:30,000 --> 00:38:31,000 Thanks, Dave. 857 00:38:31,000 --> 00:38:32,000 No problem. 858 00:38:39,000 --> 00:38:40,000 Hey Dave. 859 00:38:40,000 --> 00:38:41,000 What's up? 860 00:38:41,000 --> 00:38:44,000 Coming across something here that's kind of interesting. 861 00:38:44,000 --> 00:38:47,000 Listening to the recorder here, and this is the stationary one 862 00:38:47,000 --> 00:38:49,000 I put in the back parlor. 863 00:38:49,000 --> 00:38:52,000 And all of a sudden I hear some tapping. 864 00:38:54,000 --> 00:38:56,000 Listen to it and tell me what you think of it. 865 00:38:56,000 --> 00:38:57,000 Okay. 866 00:39:05,000 --> 00:39:06,000 Wow, that's crazy. 867 00:39:15,000 --> 00:39:17,000 Shannon, how you been? 868 00:39:17,000 --> 00:39:18,000 I've been great. 869 00:39:18,000 --> 00:39:19,000 How you been? 870 00:39:19,000 --> 00:39:20,000 Good to see you. 871 00:39:20,000 --> 00:39:21,000 Good to see you again, too. 872 00:39:21,000 --> 00:39:22,000 Well, you know what we did? 873 00:39:22,000 --> 00:39:23,000 We came here. 874 00:39:23,000 --> 00:39:25,000 You gave us a tour, showed us the hot spots, 875 00:39:25,000 --> 00:39:28,000 and honestly, there's quite a bit in the small space. 876 00:39:28,000 --> 00:39:30,000 See, even I headed in, we began just doing a general sweep. 877 00:39:30,000 --> 00:39:33,000 And we took a good look at the shades, 878 00:39:33,000 --> 00:39:35,000 and we thought we'd be able to pull them down 879 00:39:35,000 --> 00:39:38,000 and then just hit them or something, and they would fly up. 880 00:39:38,000 --> 00:39:40,000 And they're actually pretty stubborn. 881 00:39:40,000 --> 00:39:43,000 We did notice that there were vents underneath most of the windows, 882 00:39:43,000 --> 00:39:46,000 but even if there was a strong breeze coming out of the vent, 883 00:39:46,000 --> 00:39:48,000 the things were just too stubborn. 884 00:39:48,000 --> 00:39:49,000 So what would make them fly up? 885 00:39:49,000 --> 00:39:50,000 I have no idea. 886 00:39:50,000 --> 00:39:51,000 Okay. 887 00:39:51,000 --> 00:39:54,000 Now, while Steve and I weren't here doing our work, 888 00:39:54,000 --> 00:39:58,000 we had Tango and Chris in the visitor's center. 889 00:39:58,000 --> 00:40:02,000 And the only real report over there was of the figure upstairs 890 00:40:02,000 --> 00:40:05,000 that was seen from outside, the guy with the beard. 891 00:40:05,000 --> 00:40:06,000 Right. 892 00:40:06,000 --> 00:40:07,000 While they were investigating that, 893 00:40:07,000 --> 00:40:10,000 they called an Amy who was watching over the equipment 894 00:40:10,000 --> 00:40:12,000 and had a look through the windows. 895 00:40:12,000 --> 00:40:16,000 And whatever they were doing, Amy saw a person up there with a beard. 896 00:40:16,000 --> 00:40:18,000 Now, this is something to keep in mind. 897 00:40:18,000 --> 00:40:21,000 We weren't there when the original report was put in, 898 00:40:21,000 --> 00:40:24,000 so we don't know exactly what that person saw. 899 00:40:24,000 --> 00:40:26,000 It may be good for you to make a conscious effort, 900 00:40:26,000 --> 00:40:28,000 you know, as you're walking around the grounds 901 00:40:28,000 --> 00:40:30,000 to just look up at those windows, you know, 902 00:40:30,000 --> 00:40:32,000 especially when there's people in there, you know, 903 00:40:32,000 --> 00:40:34,000 and see how the light plays off, and see for yourself, you know, 904 00:40:34,000 --> 00:40:37,000 could I misinterpret that as somebody with a beard 905 00:40:37,000 --> 00:40:38,000 if I'm looking quickly? 906 00:40:38,000 --> 00:40:40,000 So, something to keep in mind. 907 00:40:40,000 --> 00:40:41,000 Yep. 908 00:40:41,000 --> 00:40:44,000 At one point, the house sat empty. 909 00:40:44,000 --> 00:40:46,000 We did have stationary recorders all over, 910 00:40:46,000 --> 00:40:49,000 and one picked up a sound. 911 00:40:49,000 --> 00:40:52,000 The sound was not heard at any other time through the night, 912 00:40:52,000 --> 00:40:55,000 and we know for a fact that there was no one in the house. 913 00:40:55,000 --> 00:40:58,000 Now, we're going to show it to you, and we want you to think 914 00:40:58,000 --> 00:41:01,000 if you've ever heard that sound or if you can explain that sound. 915 00:41:11,000 --> 00:41:14,000 You know, the thing I thought of when I first heard it 916 00:41:14,000 --> 00:41:16,000 was the checkerboard that's in there, 917 00:41:16,000 --> 00:41:18,000 and that's what reminded me of that sound 918 00:41:18,000 --> 00:41:21,000 when people are playing checkers, and just kind of jumping over. 919 00:41:21,000 --> 00:41:22,000 I just thought of that. 920 00:41:22,000 --> 00:41:25,000 I don't really want to say it's a ghost or anything paranormal, 921 00:41:25,000 --> 00:41:27,000 but something to look forward to. 922 00:41:27,000 --> 00:41:29,000 So, I mean, if someone's in here alone, 923 00:41:29,000 --> 00:41:31,000 have them pay attention, see if they can pick up the sound 924 00:41:31,000 --> 00:41:32,000 and explain it for us. 925 00:41:32,000 --> 00:41:35,000 So, now we had a lot of people in the house 926 00:41:35,000 --> 00:41:37,000 who were in the house, and they were just like, 927 00:41:37,000 --> 00:41:39,000 I don't want to hear it anymore. 928 00:41:39,000 --> 00:41:42,000 Okay, let's go over there and see if they can pick up the sound 929 00:41:42,000 --> 00:41:43,000 and explain it for us. 930 00:41:43,000 --> 00:41:47,000 So, now we had Chris and Amy in this house 931 00:41:47,000 --> 00:41:50,000 and we have on tape them actually hearing something. 932 00:41:50,000 --> 00:41:52,000 The call money. 933 00:41:58,000 --> 00:42:01,000 I heard it. 934 00:42:01,000 --> 00:42:04,000 Yep, I've never heard that sound before. 935 00:42:04,000 --> 00:42:06,000 We asked them what did it sound like, 936 00:42:06,000 --> 00:42:08,840 which we all wear sneakers or comfortable shoes 937 00:42:08,840 --> 00:42:09,960 when we investigate. 938 00:42:09,960 --> 00:42:12,120 And we'll play for you one last time here. 939 00:42:12,120 --> 00:42:13,120 I call money. 940 00:42:18,720 --> 00:42:20,720 And you can almost hear a heel toad. 941 00:42:20,720 --> 00:42:21,720 You know, almost. 942 00:42:21,720 --> 00:42:22,560 Yeah. 943 00:42:22,560 --> 00:42:23,400 Yeah. 944 00:42:23,400 --> 00:42:26,120 Unfortunately, this is all we have to show you. 945 00:42:26,120 --> 00:42:29,600 But I think it's the beginning of unraveling the mystery here. 946 00:42:29,600 --> 00:42:33,600 I think that maybe because they were so interested 947 00:42:33,600 --> 00:42:35,760 in the paranormal when they were alive, 948 00:42:35,760 --> 00:42:38,680 that maybe when they're dead, maybe they're 949 00:42:38,680 --> 00:42:41,280 trying to look a little more than act. 950 00:42:41,280 --> 00:42:42,680 Maybe they know what we're up to. 951 00:42:42,680 --> 00:42:44,280 So they're kind of hanging back. 952 00:42:44,280 --> 00:42:45,800 We don't know, we can't say. 953 00:42:45,800 --> 00:42:48,280 We have a little mystery here at the Stonehouse. 954 00:42:48,280 --> 00:42:48,840 Yeah. 955 00:42:48,840 --> 00:42:49,760 Thank you for everything. 956 00:42:49,760 --> 00:42:50,560 It's been an honor. 957 00:42:50,560 --> 00:42:51,840 And we'd love to come back. 958 00:42:51,840 --> 00:42:52,240 Thank you. 959 00:42:52,240 --> 00:42:53,280 We'd love to have you back. 960 00:42:53,280 --> 00:42:54,040 It's been great. 961 00:42:54,040 --> 00:42:54,640 Let's get out of here. 962 00:42:54,640 --> 00:42:55,640 OK. 963 00:42:55,640 --> 00:42:57,800 So I just sat with Grant and Steve 964 00:42:57,800 --> 00:43:00,400 and got to hear everything that they heard and saw 965 00:43:00,400 --> 00:43:01,800 during their investigation. 966 00:43:01,800 --> 00:43:05,400 I was surprised by some of the things that they encountered. 967 00:43:05,440 --> 00:43:09,520 And I think that what they found is another facet to our story. 968 00:43:09,520 --> 00:43:12,760 And it's going to give us another interesting story to tell. 969 00:43:12,760 --> 00:43:13,720 So I think that went well. 970 00:43:13,720 --> 00:43:16,240 Those are tough when you don't really have solid evidence 971 00:43:16,240 --> 00:43:17,160 one way or the other. 972 00:43:17,160 --> 00:43:18,640 But I think we did good. 973 00:43:18,640 --> 00:43:21,040 We gave her some good solid information 974 00:43:21,040 --> 00:43:23,880 that can help her continue our investigation 975 00:43:23,880 --> 00:43:25,320 and get answers for herself. 976 00:43:25,320 --> 00:43:26,760 It's just one step of many. 977 00:43:26,760 --> 00:43:27,440 Yeah. 978 00:43:27,440 --> 00:43:28,200 Good job, man. 979 00:43:28,200 --> 00:43:28,560 Thank you. 980 00:43:28,560 --> 00:43:29,080 You too. 981 00:43:29,080 --> 00:43:30,960 That was fun.